I was lying on the beach one afternoon in Tel Aviv playing guitar and flute when someone came up to me inviting me to join her group of friends. They were sitting down taking in late afternoon sun, eating fruit and chatting. I joined the conversation and very quickly I was given the contact for a place to stay in Jerusalem. A few days later, with the first two artists recorded, I decided it was time to visit somewhere new. I got in contact with this mysterious person. Quickly, I got a text back saying I was welcome to stay at this persons place in Jerusalem. I hoped on the bus and arrived in the Holy City an hour later.
Jerusalem was just a tourist stop for me – I didn’t record anyone. However, I met some wonderful people. My host and her housemate were very nice to talk to and live in a very nice apartment. In the evening of my second day and last day, I went to see the dressed rehearsals of a small theatre/performance/design school my host was attending. I was pleasantly surprised by utterly beautiful performances with very cleverly designed puppets and sets. As soon as the rehearsals finished I caught a bus back to Tel Aviv.
With only a few days left before my flight to Edinburgh, I went back to the soothing rhythm characterised by late mornings, seaside and freshly pressed fruit juices. I met up with two more artists. The first is Nadav Zilberstein who is a fellow sound engineer but specialises in location recording for films and TV. He recorded two songs on guitar and vocals. Ironically, he grew up in Jerusalem and said he’s seen a drastic decline of the city as a vibrant cultural hub. The cultural actors are all moving to Tel Aviv leaving spaces for religious people to move into the holy city. He wrote a song about it:
For more: http://nadavzilberstein.bandcamp.com/
On the same day, I cycled on Tel Aviv’s green city bikes to what seemed like the out skirts of the city. There I met with Rami Feinstein and his band. We went to his bass player’s apartment which essentially is a studio with a bedroom annexed to it. Unfortunately, they didn’t have that much time to record so we weren’t able to use their equipment (although I did borrow a microphone). The recording session was quick and efficient but difficult to capture properly with the equipment I had with me as the musicians were all amplified. Thus, I apologies, the vocals nearly disappear in the loud bits.
For more please visit: http://www.ramifeinstein.com/
With four artists recorded I caught the plane for Edinburgh. Well first I had to go through security… And lost two flutes in the process… Anyways, after four months of absence and many adventures, I’m back in the UK! I’ll be staying in Edinburgh up until the end of the Fringe – 27th August. I’m here run the sound and light on a small production for which I did the sound design. I’m working with a very talented team on an absurd dark comedy called Pinch in Love written by Caroline Mitchell and directed by the crazy and amazing Tania Higgins from The Deck Theatre Company. If you’re in Edinburgh or know anyone up here please invite them to show. If they say “Pinch will grow up to be a cyclist” they’ll get a free ticket!
Voilà. That’s the end of Foreign countries for this trip. After Edinburgh I’ll be cycling back down to Oxford still recording on the way. I hope you to see you following the trip till the end. Thank you.